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Rinpoche's Teachings

Death, Dying and Reincarnation

Influence of Yogacara on Tantra

 

 

Rinpoche's Teachings

Influence of Yogacara on Tantra
by Ven. Traleg Rinpoche

Questions

Shared Concepts

Q What was the historical period in which Yogacara philosophy developed?

A (Traleg Rinpoche)

First Answer (David):

Second Answer
( Dr R.):

 

 

Traleg Rinpoche:

What do you think, David? You're the historian.


Second century AD. and developing to the middle of the fifth. Thereafter, it reached its fullest flower.


Dates in Indian history are always a mess. One can never arrive at a correct date. With Buddhist texts, for instance, the only fixed dates are arrived at through the Chinese translations, because we know the Chinese were very good on their records. If we have a translation of a particular text done by a particular date, then we know that's the date before which the book existed. But sometimes it's difficult.

That's right. People are not even sure whether there was one or more Vasubandhus. But all those things are secondary, in some sense. The date situation is quite interesting, especially for Indians and Tibetans. I don't even know when I was born. And I'm still alive.

Q Could you talk about luminosity being equivalent to Buddha-nature?
A: The difference is not of kind, the difference is semantic. Whether you call it luminosity or Buddha-nature doesn't make any difference. It's still referring to the same thing.
Q: When one awakens Buddha-nature, does the experience of luminosity unfold in the mind?
A: Yes, that's right. Both concepts refer to our intrinsic intelligence or intrinsic wakefulness, whatever you want to call it, which is not corrupted by our neuroses or emotional instabilities.
Q: Are luminosity and bliss different?.
A: No. Bliss comes from the realisation of luminosity.
Q: Yogacara is often considered mind only, that there's nothing outside the mind
A: The only thing that's outside of the mind is reality, but we will go into that. Reality cannot be conditioned by the mind. Reality is reality. If reality can be conditioned by the mind, then it wouldn't be reality, because each time your moods change, reality would be changing as well. Yogacarins say both subject and object are a product of the mind, but that doesn't necessarily mean that the chair and the table are in your head. We construct our experience of the world. We don't experience the world as it is, we experience the world as we want to experience it. That's why it's said that both subject and object are a product of the mind. We are unable to perceive reality, because our mind is continuously constructing things. Due to certain common characteristics, human beings share a similar kind of world, but still, each individual's experience of the world is different.
Q: Could you give the Tibetan and Sanskrit for mind, and what they would actually be translated as? Mind seems to be a very vague term

A:

 

 


Dr. A:



A:

We'll be going into that. The mind that the Yogacarins and tantrikas are talking about is not the mind that we normally experience. We experience the temporal, linear sequence of our thoughts and perceptions taking place each moment, but something gives ground for thoughts and images to take place. There's something beyond our temporary experience of thoughts and images. The Sanskrit term for it would be manas, wouldn't it Doctor?

As a matter of fact, there are two: manas and citta. I think both of them are essentially the same.

In Tibetan, sems nyid is used to distinguish the mind that provides the ground for both subject and object from the ordinary mind, which is just called sems. So, sems and sems nyid are quite different. In mahamudra, especially, this distinction is made very clear.

Q: Could you explain the term tantra and put it in the context of general Buddhist thought.
A: Tantra literally means continuity. The Tibetan word for that is rgyud. In this context, we could say that you can't assign any date to the beginning or the end of tantra. The tantric experience is continuous. You can't say when it began or when it's going to end. It's a continuous situation. That's what rgyud is. It's also called Vajrayana. Tantra is a common expression used both by the Hindus and Buddhists. Vajrayana, the diamond path, means the process is totally unshakeable. Again, it's a process, rather than the end product of Buddhist practice. It's a continuous journey.
Q: Is Buddha-nature the same as atma in the Hindu system?
A: There is a difference. Buddha-nature is a philosophical concept, and also an experiential one, I'm sure, but it is not something solid, as atma is. Buddha-nature is not an entity of some sort, whereas atma is. Atma is something you possess, so that you keep on reincarnating. Your personal identity is associated with the notion of atma. It's not that you know who you are, because of your Buddha-nature. It's not that you can remember your previous life's experiences, due to Buddha-nature. Buddha-nature is just the fundamental condition of being able to get enlightened. The nature of salt is to dissolve, but that nature is not a separate entity of some sort. Buddha-nature is not an entity that you possess. It's a potentiality or condition that is already inherent in you.
Q: Could you give us a biography of Asanga and Vasubandhu, and how they came to develop the Yogacarin system?
A:

The traditional biography of Asanga is as fantastic as any biography of the Buddhist masters. Buddhism was dying out in India. A Buddhist nun was so overwhelmed by this fact that she slept with a king and gave birth to Asanga. After that, she slept with a Brahman and gave birth to Vasubandhu. All in order to preserve the Buddhadharma, mind you. Asanga, from childhood, was inspired to preserve the Buddhist tradition. He decided to become a monk and became familiar with the Mahayana tradition. He would have had his training in Madhyamika philosophy. According to the traditional story, Vasubandhu was following Hinayana discipline, until Asanga converted him. Asanga was totally fascinated by the future Buddha. He was fascinated to the extent that it drove him to go into the mountains and meditate in a cave. He would start meditating and wait for some kind of vision from the future Buddha, but nothing would happen. He spent three years in a cave and then finally got sick of it.

So, he left the cave and started going home. He came across a man polishing a gigantic iron staff. Asanga asked "What are you doing?" and the man said, "I'm just trying to make a needle out of this." Asanga thought, "What! Make a needle out of that? I must be too impatient." So, he went back into the cave and again meditated for three years. Then, he got sick of it, because nothing would happen, and he came out again. He became thirsty, so he decided to drink water from a stream and noticed this drip has made a gigantic hole in the rock. He thought, "Even this gentle water drop can produce such a hole in the rock. I must be totally impatient." So, he went go back again. Finally, he just gave up and started walking home and, of all things, he stumbled across a bitch(dog) with a rotten behind. There were maggots crawling into the body. Asanga was so moved by this sight that he cut off a piece of flesh from his thigh. He started licking out the maggots and placed them on the piece of flesh, so that they wouldn't die, so that they could live on his provision. Then, suddenly, Maitreya exhibited himself in front of Asanga.

He was so engrossed in his task that at first he didn't notice, but when he looked up, there's Maitreya. Asanga fell on the ground and started prostrating. He said, "Why haven't you revealed yourself to me before?" Maitreya said, "Because you didn't have enough compassion." That was it: "Because you didn't have enough compassion. Now that you have performed this task, I have revealed myself to you." Then, the story goes that Maitreya taught him the five Treatises, the five major Yogacara philosophical texts or treatises. Asanga supposedly heard all that from Maitreya, so the author is normally regarded as being Maitreya, rather than Asanga. After receiving the teachings, Asanga went off and started his own school. With his brother, with joint effort, they wrote some other texts, things such as the Abhidharmasamuccaya. The Abhidharmasamuccaya wasn't part of Maitreya's texts, it was written by Asanga. That's the end of the story. It's a fascinating one. It's amazing.

Q: Could you elaborate on emptiness?
A: We will be going into this, but emptiness, according to Yogacara and tantra, means emptiness of both subject and object. It doesn't mean that emptiness is empty of itself. That is what's normally said: emptiness is empty of its own nature. It's not something positive. According to Yogacara and tantra, emptiness is something full, if you like. It's something positive. It's the ground that actually provides for the phenomenal world to operate. The phenomenal world could not operate at all, if it was not dependent upon emptiness. We'll get into this, in context, and maybe it'll become clear. Otherwise, it might confuse you.
Q: That story you told about Maitreya is really fantastic. How should one relate to those sort of stories?
A: The older stories, historically, are of no interest at all, but from a practitioner's point of view they are of immense importance. All those fantastic stories are not told just to entertain you, but to make you generate a certain mood or attitude or emotion. Reading that biography, whatever it is, puts you into the right state of mind, so that you could actually be open to the teachings. Otherwise, it might not happen. That's why the biographies are dramatised. Even most Tibetans, I'm sure, wouldn't believe that all those things really took place. Those things have immense importance from the practitioner's point of view, because you begin to realise how important it is to be patient or how important it is to generate compassion, so that you could understand the teachings. It produces something in you.
Q: Often you hear people say, "I wish something like that would happen to me." They want these fantastic things to happen and they take them as being very solid, rather than as myths.

A:

 




Dr. A

 

 

A:

 

DT:

 

 

 

 

A:

That's right. Myths have their own function, too. It doesn't have to be a story about a saint or an enlightened being, it could be a myth about some sea serpent or dragons, whatever. They have their own function, too, for the human mind. I think that without myths, human beings would go berserk. It keeps them sane, as well as insane, in some ways. That's why people keep producing more and more myths, all the time. Myths are fairy tales for adults.

There are about four limbs of the Taisho Tripitaka on the biographies of monks and nuns. The Chinese normally devoted a lot of time to history and fact, rather than fiction, but it's interesting that they have preserved the biographies of monks and nuns. They really are a strange style of story. I think the Tibetan Tripitaka, too, has preserved some of those stories, of the saints and the lives of the monks.

Yes, sure. There are others that are outside the Tripitaka, too. Within each Tibetan school, there would be innumerable biographies and autobiographies of different spiritual masters, every single one of the them totally dramatic. It's interesting. Yes, David?

I think you could say that in the Tibetan Tripitaka, in the Vinaya volumes, a lot of the stories of monks and nuns are illustrative. They illustrate a point of order or a point of some importance in the running of a monastery or in the running of a monk's life. At another level, the type of stories such as you told of Asanga and Vasubandhu is inspirational, purely inspirational and wonderful and we'd be a lot poorer without them. At another level, the stories of the saints, the mahasiddhas, are inspirational to a certain extent, but are also in many respects instructional, part of the direct teaching. Without the stories and a knowledge of the stories and insight into what they mean, the teaching is not complete. So, there are three levels. I suppose there are other levels, too.

That's right. That's precisely what the Tibetans say, as you know. The inner, outer and secret biography of a spiritual master. When you say that the lama gazed at the earthen pot and it cracked, the outer meaning is for people to just get inspired by such an act. On the inner level, it has a symbolic meaning and, from the secret point of view, it would mean something about the master's own spiritual experience, not a physical act as such. So, there are those three levels. Rnam-thar or Tibetan biography literally means story of liberation. It's supposed to tell you the gradual development of the master, how he worked with himself, how he advanced and then finally attained liberation.

Q What does Buddhist philosophy say about time and space?
A: The Buddhist attitude would be that time and space are relative. They are relative to your own concept of what time and space are. They are not absolute, on that level. Our understanding of the concept of time in a linear sense of past, present and future is not correct. In some ways, time is circular, rather than linear. The absolute notion of time really goes beyond concept. Relative time conforms or is dependent upon our concepts of what time is, whereas absolute time is something that we can't imagine. We can't even call it eternal or not eternal, in some sense. We will be getting into this as we go along.
Q: Why did you choose this topic?

A:

 

 





D.T.:

 

 

 



A:

Mainly because I thought Western Buddhists, especially Tibetan Buddhist students, generally didn't know very much about Yogacara and Buddhist tantra. Most of them are familiar with the Madhyamika system. That is the predominant type of practice. Not enough thought or attention is really given to this topic. Also, it's not just that Yogacara philosophy or tantra taken separately have been neglected, but it's also the facts about their inter-relationship or how Yogacarins really anticipated tantric concepts. People don't know how much tantra owes to Yogacara. This is my personal feeling. But, I could be wrong.

In relationship to your point about the anticipation of tantra, Rinpoche, I think it's very important and has certainly got me very interested,. The dating of tantra is impossible. How does it start, where does it end, where does it flower? The generally accepted view seems to be the sixth to seventh century AD., which in the light of what we've talked about, the dating of Asanga and Vasubhandu, is very, very important. Although the tantras are considered to have been spoken by the Buddha, which is a contentious issue to some and not to others, certainly their fulfilment owes an immense amount to Yogacara, which predated them by some centuries.

That's the thing. Either people assert, rather than prove, that tantra was taught by the Buddha or see some kind of local cult influence on Buddhist tantra. People say maybe local cults in India gradually influenced Buddhists and tantra developed from there, but they haven't really tried to work out the possibility of one Buddhist school anticipating another Buddhist school. I'm sure there have been a lot of external influences on the ritual side, the iconographical side, but as far as the real tantric philosophical concepts are concerned, people should try to trace them back to Yogacara as much as possible, I think.

Q: I thought the notion of tantra meaning continuity had more to do with a person's experience of the teachings, rather than having any historical context. Could you talk about what that continuity means, as far as a person's experience goes?
A: We could say you are a tantrika even before you become a tantrika. Whatever you experience would be part of that whole process. Even after you obtain enlightenment, still, it would be a continuous process in some sense. Still, Buddha-activity would continue. As an individual experience, that's how it would be, I think. Continuity and the vajra-like quality are closely related as well, because they've got no beginning and no end and so cannot be broken or interfered with.
Q: How does that notion of Buddha-nature manifesting all the time....
A: You could say that that is the continuity: Buddha-nature or luminosity, whatever you want to call it.
Q: Is it only when we have trained our mind that we begin to look into the continuity?
A: You discover the continuity as you go along. Some people might not discover it at all. That's what tantrikas say.

Q: How would the Madhyamika school regard the notion of Buddha-nature as being inherent, as being tathagatagarbha?
A: Bodhicitta. They don't talk about tathagatagarbha very much at all, actually. Tathagatagarbha is seen as being a carrot for the uninitiated or for the immature. Once you grow up, you begin to overcome that notion. eculate about it.

Q: Bodhicitta is awaked mind?
A: Bodhicitta is quite a different concept altogether, I think. Bodhicitta really means the capacity to be compassionate.
Q: But isn't that a positive quality in itself?
A: It is, but it's different from Buddha-nature. Buddha-nature is seen as being beginningless, endless, pure, not tainted by our confusions. All these qualifications are given, whereas there are no qualifications for bodhicitta. In fact, it's said that absolute bodhicitta is final enlightenment. That exists, but at the same time, it's a different concept. To say that bodhicitta is like this, that and the other, as the Yogacarins do with Buddha-nature, would be totally unacceptable for Madhyamikans. Absolute bodhicitta would be sunyata itself for the Madhyamikans.
Q: It wouldn't be looked at as positive?
A: Absolute bodhicitta is not looked at as being positive or negative. In the Madhyamika tradition, they don't speculate about it.

Q: But tathagatagarbha has some notion of positive quality?
A: Oh yes. Definitely. The Mahayanauttara-tantra is full of that. It tries to illustrate tathagatagarbha by using all kinds of images: poor woman, king, son of a king, a blind person discovering a gem in the garbage bin. The whole text is full of those images. So yes, it's something positive.
A: Oh yes. Definitely. The Mahayanauttara-tantra is full of that. It tries to illustrate tathagatagarbha by using all kinds of images: poor woman, king, son of a king, a blind person discovering a gem in the garbage bin. The whole text is full of those images. So yes, it's something positive.
Q: If you want to change negative energy into positive energy, aren't you giving energy to the negative and thereby moving away from Buddha-nature?

A:

 

 

 


Phra K:

 

 

 

 


A:

Dr. A:

Transformation takes place without rejecting the negative energies. That's why Yogacarins and tantrikas are different from other Buddhist schools. In other Buddhist schools, as in all spiritual traditions or disciplines, the negative is something to be suppressed or, better still, disposed of. Yogacarins and tantrikas say that by accepting it, you transform it. You can't relate to your negative energy by being negative towards it. You respond to your negative energies with a positive attitude. So, transformation takes place automatically, in some sense. As they say, they turn into wisdom. We'll get into this later on.

I'd like to say something, Rinpoche. I'm not going to talk about the Buddhist schools that I don't know about, but in the one that I do know about, certainly, negative energies are recognised as such and their transformation comes about just as you say, through recognising them as such. They certainly can't be suppressed, or anything like that. There's no question. I don't understand then, how one can draw a distinction between what you were saying about tantra and Yogacara and my experience, for instance, with Theravada. There doesn't seem to be any difference there. My experience with Theravadin teachers in the forest is that that's exactly what they teach. They teach the transformation of negative energies. If you try to suppress them or treat them in a negative way, you certainly end up worse than you started.


Well, I'll take that back.

There's a book by Walpola Rahula, Zen and the Taming of the Bull, that gives you a lot of the Mahayana ideas found in the Pali sources.

Q: How might we approach these four concepts that you've picked out with an attitude of practice?
A: We'll get into that as we go along: how the Yogacarins and tantrikas believe that your passion, aggression and ignorance are transformed into some higher level of understanding and how the notion of sunyata or emptiness affects your understanding of yourself and the world, and so on.
Q: Would it just be a conceptual understanding, or does one have specific practices?
A: You have specific practices, but we're not going to go into that, actually. As I said, when Yogacarins and tantrikas theorise, the theorisation has some practical value. It's not meaningless speculation about the world.

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