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Rinpoche's Teachings
Influence of
Yogacara on Tantra
by Ven. Traleg Rinpoche
Questions
Shared Concepts
| Q |
What was the historical
period in which Yogacara philosophy developed? |
| A (Traleg Rinpoche)
First Answer (David):
Second Answer
( Dr R.):
Traleg Rinpoche: |
What do you think,
David? You're the historian.
Second century AD. and developing to the middle of the fifth. Thereafter,
it reached its fullest flower.
Dates in Indian history are always a mess. One can never arrive
at a correct date. With Buddhist texts, for instance, the only fixed
dates are arrived at through the Chinese translations, because we
know the Chinese were very good on their records. If we have a translation
of a particular text done by a particular date, then we know that's
the date before which the book existed. But sometimes it's difficult.
That's right. People are not even sure whether there was one or
more Vasubandhus. But all those things are secondary, in some sense.
The date situation is quite interesting, especially for Indians
and Tibetans. I don't even know when I was born. And I'm still alive.
|
| Q |
Could you talk about luminosity being
equivalent to Buddha-nature? |
| A: |
The difference is not
of kind, the difference is semantic. Whether you call it luminosity
or Buddha-nature doesn't make any difference. It's still referring
to the same thing. |
| Q: |
When one awakens Buddha-nature, does
the experience of luminosity unfold in the mind? |
| A: |
Yes, that's right. Both
concepts refer to our intrinsic intelligence or intrinsic wakefulness,
whatever you want to call it, which is not corrupted by our neuroses
or emotional instabilities. |
| Q: |
Are luminosity and bliss different?.
|
| A: |
No. Bliss comes from the
realisation of luminosity. |
| Q: |
Yogacara is often considered mind only,
that there's nothing outside the mind |
| A:
|
The only thing
that's outside of the mind is reality, but we will go into that. Reality
cannot be conditioned by the mind. Reality is reality. If reality
can be conditioned by the mind, then it wouldn't be reality, because
each time your moods change, reality would be changing as well. Yogacarins
say both subject and object are a product of the mind, but that doesn't
necessarily mean that the chair and the table are in your head. We
construct our experience of the world. We don't experience the world
as it is, we experience the world as we want to experience it. That's
why it's said that both subject and object are a product of the mind.
We are unable to perceive reality, because our mind is continuously
constructing things. Due to certain common characteristics, human
beings share a similar kind of world, but still, each individual's
experience of the world is different. |
| Q: |
Could you give the Tibetan and Sanskrit
for mind, and what they would actually be translated as? Mind seems
to be a very vague term |
| A:
Dr. A:
A:
|
We'll be going into
that. The mind that the Yogacarins and tantrikas are talking about
is not the mind that we normally experience. We experience the temporal,
linear sequence of our thoughts and perceptions taking place each
moment, but something gives ground for thoughts and images to take
place. There's something beyond our temporary experience of thoughts
and images. The Sanskrit term for it would be manas, wouldn't it
Doctor?
As a matter of fact, there are two: manas and citta. I think both
of them are essentially the same.
In Tibetan, sems nyid is used to distinguish the mind that
provides the ground for both subject and object from the ordinary
mind, which is just called sems. So, sems and sems nyid are quite
different. In mahamudra, especially, this distinction is made very
clear. |
| Q: |
Could you explain the term tantra and
put it in the context of general Buddhist thought. |
| A: |
Tantra literally
means continuity. The Tibetan word for that is rgyud. In this context,
we could say that you can't assign any date to the beginning or the
end of tantra. The tantric experience is continuous. You can't say
when it began or when it's going to end. It's a continuous situation.
That's what rgyud is. It's also called Vajrayana. Tantra is a common
expression used both by the Hindus and Buddhists. Vajrayana, the diamond
path, means the process is totally unshakeable. Again, it's a process,
rather than the end product of Buddhist practice. It's a continuous
journey. |
| Q: |
Is Buddha-nature the same as atma in
the Hindu system? |
| A: |
There is a difference.
Buddha-nature is a philosophical concept, and also an experiential
one, I'm sure, but it is not something solid, as atma is. Buddha-nature
is not an entity of some sort, whereas atma is. Atma is something
you possess, so that you keep on reincarnating. Your personal identity
is associated with the notion of atma. It's not that you know who
you are, because of your Buddha-nature. It's not that you can remember
your previous life's experiences, due to Buddha-nature. Buddha-nature
is just the fundamental condition of being able to get enlightened.
The nature of salt is to dissolve, but that nature is not a separate
entity of some sort. Buddha-nature is not an entity that you possess.
It's a potentiality or condition that is already inherent in you. |
| Q: |
Could you give us a biography of Asanga
and Vasubandhu, and how they came to develop the Yogacarin system? |
| A: |
The traditional biography
of Asanga is as fantastic as any biography of the Buddhist masters.
Buddhism was dying out in India. A Buddhist nun was so overwhelmed
by this fact that she slept with a king and gave birth to Asanga.
After that, she slept with a Brahman and gave birth to Vasubandhu.
All in order to preserve the Buddhadharma, mind you. Asanga, from
childhood, was inspired to preserve the Buddhist tradition. He decided
to become a monk and became familiar with the Mahayana tradition.
He would have had his training in Madhyamika philosophy. According
to the traditional story, Vasubandhu was following Hinayana discipline,
until Asanga converted him. Asanga was totally fascinated by the
future Buddha. He was fascinated to the extent that it drove him
to go into the mountains and meditate in a cave. He would start
meditating and wait for some kind of vision from the future Buddha,
but nothing would happen. He spent three years in a cave and then
finally got sick of it.
So, he left the cave and started going home. He came across a man
polishing a gigantic iron staff. Asanga asked "What are you doing?"
and the man said, "I'm just trying to make a needle out of this."
Asanga thought, "What! Make a needle out of that? I must be too
impatient." So, he went back into the cave and again meditated for
three years. Then, he got sick of it, because nothing would happen,
and he came out again. He became thirsty, so he decided to drink
water from a stream and noticed this drip has made a gigantic hole
in the rock. He thought, "Even this gentle water drop can produce
such a hole in the rock. I must be totally impatient." So, he went
go back again. Finally, he just gave up and started walking home
and, of all things, he stumbled across a bitch(dog) with a rotten
behind. There were maggots crawling into the body. Asanga was so
moved by this sight that he cut off a piece of flesh from his thigh.
He started licking out the maggots and placed them on the piece
of flesh, so that they wouldn't die, so that they could live on
his provision. Then, suddenly, Maitreya exhibited himself in front
of Asanga.
He was so engrossed in his task that at first he didn't notice,
but when he looked up, there's Maitreya. Asanga fell on the ground
and started prostrating. He said, "Why haven't you revealed yourself
to me before?" Maitreya said, "Because you didn't have enough compassion."
That was it: "Because you didn't have enough compassion. Now that
you have performed this task, I have revealed myself to you." Then,
the story goes that Maitreya taught him the five Treatises, the
five major Yogacara philosophical texts or treatises. Asanga supposedly
heard all that from Maitreya, so the author is normally regarded
as being Maitreya, rather than Asanga. After receiving the teachings,
Asanga went off and started his own school. With his brother, with
joint effort, they wrote some other texts, things such as the Abhidharmasamuccaya.
The Abhidharmasamuccaya wasn't part of Maitreya's texts, it was
written by Asanga. That's the end of the story. It's a fascinating
one. It's amazing. |
| Q: |
Could you elaborate on emptiness?
|
| A: |
We will be going into
this, but emptiness, according to Yogacara and tantra, means emptiness
of both subject and object. It doesn't mean that emptiness is empty
of itself. That is what's normally said: emptiness is empty of its
own nature. It's not something positive. According to Yogacara and
tantra, emptiness is something full, if you like. It's something positive.
It's the ground that actually provides for the phenomenal world to
operate. The phenomenal world could not operate at all, if it was
not dependent upon emptiness. We'll get into this, in context, and
maybe it'll become clear. Otherwise, it might confuse you. |
| Q: |
That story you told about Maitreya
is really fantastic. How should one relate to those sort of stories? |
| A: |
The older stories, historically,
are of no interest at all, but from a practitioner's point of view
they are of immense importance. All those fantastic stories are not
told just to entertain you, but to make you generate a certain mood
or attitude or emotion. Reading that biography, whatever it is, puts
you into the right state of mind, so that you could actually be open
to the teachings. Otherwise, it might not happen. That's why the biographies
are dramatised. Even most Tibetans, I'm sure, wouldn't believe that
all those things really took place. Those things have immense importance
from the practitioner's point of view, because you begin to realise
how important it is to be patient or how important it is to generate
compassion, so that you could understand the teachings. It produces
something in you. |
| Q: |
Often you hear people say, "I wish
something like that would happen to me." They want these fantastic
things to happen and they take them as being very solid, rather than
as myths. |
| A:
Dr. A
A:
DT:
A: |
That's right. Myths
have their own function, too. It doesn't have to be a story about
a saint or an enlightened being, it could be a myth about some sea
serpent or dragons, whatever. They have their own function, too,
for the human mind. I think that without myths, human beings would
go berserk. It keeps them sane, as well as insane, in some ways.
That's why people keep producing more and more myths, all the time.
Myths are fairy tales for adults.
There are about four limbs of the Taisho Tripitaka on the biographies
of monks and nuns. The Chinese normally devoted a lot of time to
history and fact, rather than fiction, but it's interesting that
they have preserved the biographies of monks and nuns. They really
are a strange style of story. I think the Tibetan Tripitaka, too,
has preserved some of those stories, of the saints and the lives
of the monks.
Yes, sure. There are others that are outside the Tripitaka, too.
Within each Tibetan school, there would be innumerable biographies
and autobiographies of different spiritual masters, every single
one of the them totally dramatic. It's interesting. Yes, David?
I think you could say that in the Tibetan Tripitaka, in the Vinaya
volumes, a lot of the stories of monks and nuns are illustrative.
They illustrate a point of order or a point of some importance in
the running of a monastery or in the running of a monk's life. At
another level, the type of stories such as you told of Asanga and
Vasubandhu is inspirational, purely inspirational and wonderful
and we'd be a lot poorer without them. At another level, the stories
of the saints, the mahasiddhas, are inspirational to a certain extent,
but are also in many respects instructional, part of the direct
teaching. Without the stories and a knowledge of the stories and
insight into what they mean, the teaching is not complete. So, there
are three levels. I suppose there are other levels, too.
That's right. That's precisely what the Tibetans say, as you know.
The inner, outer and secret biography of a spiritual master. When
you say that the lama gazed at the earthen pot and it cracked, the
outer meaning is for people to just get inspired by such an act.
On the inner level, it has a symbolic meaning and, from the secret
point of view, it would mean something about the master's own spiritual
experience, not a physical act as such. So, there are those three
levels. Rnam-thar or Tibetan biography literally means story of
liberation. It's supposed to tell you the gradual development of
the master, how he worked with himself, how he advanced and then
finally attained liberation. |
| Q |
What does Buddhist philosophy say about
time and space? |
| A: |
The Buddhist attitude would
be that time and space are relative. They are relative to your own
concept of what time and space are. They are not absolute, on that
level. Our understanding of the concept of time in a linear sense
of past, present and future is not correct. In some ways, time is
circular, rather than linear. The absolute notion of time really goes
beyond concept. Relative time conforms or is dependent upon our concepts
of what time is, whereas absolute time is something that we can't
imagine. We can't even call it eternal or not eternal, in some sense.
We will be getting into this as we go along. |
| Q: |
Why did you choose this topic? |
| A:
D.T.:
A: |
Mainly because I thought
Western Buddhists, especially Tibetan Buddhist students, generally
didn't know very much about Yogacara and Buddhist tantra. Most of
them are familiar with the Madhyamika system. That is the predominant
type of practice. Not enough thought or attention is really given
to this topic. Also, it's not just that Yogacara philosophy or tantra
taken separately have been neglected, but it's also the facts about
their inter-relationship or how Yogacarins really anticipated tantric
concepts. People don't know how much tantra owes to Yogacara. This
is my personal feeling. But, I could be wrong.
In relationship to your point about the anticipation of tantra,
Rinpoche, I think it's very important and has certainly got me very
interested,. The dating of tantra is impossible. How does it start,
where does it end, where does it flower? The generally accepted
view seems to be the sixth to seventh century AD., which in the
light of what we've talked about, the dating of Asanga and Vasubhandu,
is very, very important. Although the tantras are considered to
have been spoken by the Buddha, which is a contentious issue to
some and not to others, certainly their fulfilment owes an immense
amount to Yogacara, which predated them by some centuries.
That's the thing. Either people assert, rather than prove, that
tantra was taught by the Buddha or see some kind of local cult influence
on Buddhist tantra. People say maybe local cults in India gradually
influenced Buddhists and tantra developed from there, but they haven't
really tried to work out the possibility of one Buddhist school
anticipating another Buddhist school. I'm sure there have been a
lot of external influences on the ritual side, the iconographical
side, but as far as the real tantric philosophical concepts are
concerned, people should try to trace them back to Yogacara as much
as possible, I think. |
| Q: |
I thought the notion of tantra meaning
continuity had more to do with a person's experience of the teachings,
rather than having any historical context. Could you talk about what
that continuity means, as far as a person's experience goes? |
| A: |
We could say you are a
tantrika even before you become a tantrika. Whatever you experience
would be part of that whole process. Even after you obtain enlightenment,
still, it would be a continuous process in some sense. Still, Buddha-activity
would continue. As an individual experience, that's how it would be,
I think. Continuity and the vajra-like quality are closely related
as well, because they've got no beginning and no end and so cannot
be broken or interfered with. |
| Q: |
How does that notion of Buddha-nature
manifesting all the time.... |
| A: |
You could say
that that is the continuity: Buddha-nature or luminosity, whatever
you want to call it. |
| Q: |
Is it only when we have trained our
mind that we begin to look into the continuity? |
| A: |
You discover
the continuity as you go along. Some people might not discover it
at all. That's what tantrikas say. |
| Q: |
How would the Madhyamika school regard
the notion of Buddha-nature as being inherent, as being tathagatagarbha? |
| A: |
Bodhicitta. They don't
talk about tathagatagarbha very much at all, actually. Tathagatagarbha
is seen as being a carrot for the uninitiated or for the immature.
Once you grow up, you begin to overcome that notion. eculate about
it. |
| Q: |
Bodhicitta is awaked mind? |
| A: |
Bodhicitta is quite a
different concept altogether, I think. Bodhicitta really means the
capacity to be compassionate. |
| Q: |
But isn't that a positive quality in
itself? |
| A: |
It is, but it's different
from Buddha-nature. Buddha-nature is seen as being beginningless,
endless, pure, not tainted by our confusions. All these qualifications
are given, whereas there are no qualifications for bodhicitta. In
fact, it's said that absolute bodhicitta is final enlightenment. That
exists, but at the same time, it's a different concept. To say that
bodhicitta is like this, that and the other, as the Yogacarins do
with Buddha-nature, would be totally unacceptable for Madhyamikans.
Absolute bodhicitta would be sunyata itself for the Madhyamikans.
|
| Q: |
It wouldn't be looked at as positive? |
| A: |
Absolute bodhicitta is
not looked at as being positive or negative. In the Madhyamika tradition,
they don't speculate about it. |
| Q: |
But tathagatagarbha has some notion of
positive quality? |
| A: |
Oh yes. Definitely. The
Mahayanauttara-tantra is full of that. It tries to illustrate tathagatagarbha
by using all kinds of images: poor woman, king, son of a king, a blind
person discovering a gem in the garbage bin. The whole text is full
of those images. So yes, it's something positive. |
| A: |
Oh yes. Definitely. The
Mahayanauttara-tantra is full of that. It tries to illustrate tathagatagarbha
by using all kinds of images: poor woman, king, son of a king, a blind
person discovering a gem in the garbage bin. The whole text is full
of those images. So yes, it's something positive. |
| Q: |
If you want to change negative energy
into positive energy, aren't you giving energy to the negative and
thereby moving away from Buddha-nature? |
| A:
Phra K:
A:
Dr. A: |
Transformation takes
place without rejecting the negative energies. That's why Yogacarins
and tantrikas are different from other Buddhist schools. In other
Buddhist schools, as in all spiritual traditions or disciplines,
the negative is something to be suppressed or, better still, disposed
of. Yogacarins and tantrikas say that by accepting it, you transform
it. You can't relate to your negative energy by being negative towards
it. You respond to your negative energies with a positive attitude.
So, transformation takes place automatically, in some sense. As
they say, they turn into wisdom. We'll get into this later on.
I'd like to say something, Rinpoche. I'm not going to talk about
the Buddhist schools that I don't know about, but in the one that
I do know about, certainly, negative energies are recognised as
such and their transformation comes about just as you say, through
recognising them as such. They certainly can't be suppressed, or
anything like that. There's no question. I don't understand then,
how one can draw a distinction between what you were saying about
tantra and Yogacara and my experience, for instance, with Theravada.
There doesn't seem to be any difference there. My experience with
Theravadin teachers in the forest is that that's exactly what they
teach. They teach the transformation of negative energies. If you
try to suppress them or treat them in a negative way, you certainly
end up worse than you started.
Well, I'll take that back.
There's a book by Walpola Rahula, Zen and the Taming of the Bull,
that gives you a lot of the Mahayana ideas found in the Pali sources. |
| Q: |
How might we approach these four concepts
that you've picked out with an attitude of practice? |
| A: |
We'll get into that as
we go along: how the Yogacarins and tantrikas believe that your passion,
aggression and ignorance are transformed into some higher level of
understanding and how the notion of sunyata or emptiness affects your
understanding of yourself and the world, and so on. |
| Q: |
Would it just be a conceptual understanding,
or does one have specific practices? |
| A: |
You have specific practices,
but we're not going to go into that, actually. As I said, when Yogacarins
and tantrikas theorise, the theorisation has some practical value.
It's not meaningless speculation about the world. |
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